ITI Dance

Lorella-Ant

Head and coordinator of the Unit: Lorella Formica

the unit

Iti Dance

Dance is part of my life, it allows me a deep contact with my self, with the divine with the law and the truth that surround me.

It allows me to feel very intense and real emotions and represents the truest and deepest part of me. Dance is my life… and my life is dance. I belong with you.

Art in general has a direct channel with the Self, individual potentials and that Sacred Spiritual energy that puts you in direct contact with God, however you want to understand it.

Hence it has a highly healing potential of deep connection and high and Sacred energy and vibration.

I embarked on the path of BTE several years ago at a time when the suffering of my soul was manifesting itself in various forms that invalidated my life and my being.

Thanks to the many years of training in Biotransenergetics I have integrated the knowledge of dance and experimentation with a work of awareness that takes into account all levels: physical-energetic-emotional-mental and spiritual of every single person, favoring the awakening of one's potential. and talent. 

The work I propose includes a technical-educational background, the result of experience and the meeting with the greatest masters and artists in the international panorama of classical-academic dance starting from my training at La Scala in Milan, first as a dancer and then as a teacher at international level. The added value is the search for a movement that starts from deep contact with one's self and the truest and most profound expression of one's being.

In this way we access a truth and authenticity of movement and expression that refers to the dancer and the surrounding world a profound emotion.

The peculiarity of this approach favors a harmonization on all levels of consciousness resulting in a well-being and a deep awareness that trigger an evolutionary process of care and self-healing.

What it proposes

GROUND BARRIER course

The course I propose was born as a preparatory work for dancers, hence the name "barre a terra". Over the years I have integrated the more properly athletic-motor aspect (strengthening, elongation, elasticity, posture, physical dynamics related to movement, listening to one's body and its needs) with the typical aspects of the work of Biotrannsenergetics on the 5 levels of body-mind. 

I "believe" in the broadest and healthiest meaning of the term. This simple word has very powerful contents that can change the course of things, and I would like to be able to convey to my students and to the people I meet this value, this enthusiasm and passion for one's life, the vision and the awareness that things can change. when we decide and at any time.

Lorella Ant

Head and coordinator of the Unit: Lorella Formica

From 1980 to 1989 he was part of the corps de ballet of the same Theater, also supporting solo roles.

In these years he participated in numerous international tours, dancing in the most prestigious theaters in the world and working with world-famous choreographers and dancers (Carla Fracci, Rudolf Nureyev, Paolo Bortotoluzzi, Luciana Savignano, Julio Bocca, Margot Fontaine etc.).

From 1990 to 1992 he danced as a soloist in David Sutherland's company.

His teaching career began in 1981. He teaches in various and prestigious schools in Milan and the province; over the years he has gained a great deal of experience in teaching Classical Dance at all levels: amateur for children and adults, academic and for professionals.

From 1998 to 2000 he taught at SPID (Italian Professional Dance School), followed courses for children aged four to thirteen and private lessons.

From 2000 to 2003 he taught at the MAS, where he attended courses for professionals and amateurs and classical at all levels. In addition she has held the role of teacher of the TV Show Academy.

Since 2004 she has been the Artistic Director of the Dance Academy of the Palestra Azzurra School. She is responsible for all the classical academic and amateur sectors.

Sensitive to the evolutionary and psychological aspect of the student and to acquire additional tools to support and accompany the children in their didactic-educational path, since 2011 he has undertaken a training course as a consultant in Biotrancenergetics, which allows him to add depth to his teaching.

Since 2016 she has been the Artistic Director of the new ENTRY MAS project in the prestigious Milanese school MAS, a pre-academic path dedicated to children aged 9 to 13 with high educational and training depth.

As a further qualification of the already solid professional background based on a long teaching experience at all levels, in June 2009 he obtained a prestigious and exclusive Certificate of specialization and merit in the teaching of academic classical dance issued by the Academy of the La Scala Theater of Milan.

Title acquired in a two-year training course, with access, following a limited number competition, reserved exclusively for teachers who already have a qualified diploma in Dance.

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